![]() ![]() ![]() The young, flirtatious, life-loving, aptly named Lily doesn’t stand a chance against high Manhattan society, whether it is those with old money, such as her Aunt Peniston, or those with new money, such as the Trenors and Dorsets. After all, the main character, Lily Bart, endures such a difficult downward spiral amid the harsh, judgmental upper-class echelons of New York City. It seems odd in a way to say I “love” The House of Mirth. Where Jacob Riis, Alfred Stieglitz, Stephen Crane, and Theodore Dreiser look at the grimier side of this famed period in New York City history, the underbelly that the working class and poor, the immigrants, and the homeless faced as they made their way through daily life, Edith Wharton focuses her attention on the world she knew best: that of the privileged, moneyed class. I want to close out my multi-week focus on the Gilded Age with a consideration of Edith Wharton’s novel The House of Mirth. ![]()
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